art work in my home
KAREN M HUGGINS - GRAPHIC DESIGNER
Welcome to my home! As a graphic designer, my space is more than just a place to relax — it’s a reflection of my passions and creative journey. From prints to intricate illustrations, work of my own to the work of others, each piece has a story to tell and adds to the atmosphere that keeps me inspired daily. I hope you enjoy exploring the art that surrounds me and how it helps shape the vibe of my home!
alice in wonderland
ARTIST - Karen Huggins
Set of 5 Alice in Wonderland mixed media pieces. 1. Aye and there’s a moral to it - carpenter boot sketch, oyster shell and pearl with real cigar with faux bead ash and embers. 2. I could pick every one of you if i wanted to! - screaming flower sketch, silk flower arrangement. 3. Wer’e all mad here. - Mad Hatter sketch, ethically sourced butterflies. 4. If you don’t care for tea you could at least make polite conversation - March Hare sketch, halved stacked teacups, pocket watch with resin jam. 5. Who R U? - Caterpillar sketch on mirror with enamel frame. 6. How do you get to Wonderland? Alice sketch with metal key and keyhole on glass. Mechanism slides to reveal white rabbit sketch.
texture canvas art
30” x 40” Mixed media on canvas. This work features layered and scraped wood filler, creating a textured surface that raises the depth of the canvas. Insets are painted with muted acrylic gradient tones. The central area is deliberately left unpainted, introducing negative space that lends balance and light to the overall canvases composition.
ARTIST - Karen Huggins
ART CORNER
ARTIST - Karen Huggins
Collection of some of my favorite small art pieces. Left to right: 1. Recreation of Vivienne Westwood Macandy tartan with her famous Buy Less, Choose Well quote in gold painted on the glass. 2. Monotype print from glass. 3. Ethically sources butterfly fly wings arranged as a pattern. 4. Midges sketch, double framed with layered framed and frameless frames. 5. Charcoal life drawing of woman from the back.
Comic book
This personalised comic book art tells the story of my husband and i’s love and immigration journey. Rendered in the iconic pop art style of Roy Lichtenstein. Illustrations—true to the primary color palette and graphic line work of the 1960s—capture key moments of our relationship. Each scene was created as a vector and printed on wood blocks. The raised blocks add dimensionality, casting subtle shadows and bringing the story to life with physical depth. 30” x 40” shadow box.
ARTIST - Karen Huggins
memory
This artwork is a curated collection of personal history, housed within a refurbished vintage printer’s tray and displayed in a shadow box. Each compartment holds a fragment of memory—tokens from travel destinations, mementos of major life events, and small treasures gathered over time. Together, these objects form a visual tapestry of lived experience, transforming the tray’s once-functional grid into a map of moments, both extraordinary and everyday.
ARTIST - Karen Huggins
wood
ARTIST - Karen Huggins
Individually cut and stained wood blocks on solid wood backing. Copper inlays.
16” x 42”.
artist masks
ARTIST - Karen Huggins
Masks aquired from HigginsCreek on Etsy. Each mask is painted in the style of a well renowned artist. Left to right: 1. Roy Lichtenstein. 2. Jean-Michel Basquiat, 3. Andy Warhol. 4. Yayoi Kusama. 5. Pablo Picasso.
THE DOG
The Officer’s Mess by Brussels born artist renowned for his oil on canvas depictions of canines in military uniforms,
22” x 28”, wood framed.
ARTIST - Thierry Poncelet
CIRCUS, CIRCUS
ARTIST - Ralph Steadman
British illustrator and collaborator with the American writer Hunter S. Thompson. Steadman draws satirical political cartoons, social caricatures, and picture books. Steadman's art is known for its surreal, often grotesque, imagery, which is particularly evident in his depictions of political figures and the chaos of the circus.
13” X 22” silkscreen on White Rising Stonehenge Deckle Edge Paper.
Signed 263 / 300.
EQUUS #3
Sarah works primarily in watercolor, often combining it with graphite. She builds her paintings through multiple layers of rich pigment, creating luminous tones and, at times, an almost opaque finish. Favouring smooth surfaces, she chooses hot press paper, plate-smooth illustration board, and masonite prepared with a variety of grounds to achieve the desired effect.
Equus #3, 1992, (24x36).
ARTIST - Sarah Rogers